Great concept. with some really funny pages on the Department of Social Scrutiny with such gems as the ID Application Forms pages You can click on each form to get the full detail.
Just go there. Don’t make me quote whole pages from it, please.
A 16 June New Scientist piece about children and ADHD talks perfect sense, well, that’s in my opinion – but bear in mind I am never wrong.
The opinion piece is by Dorothy Rowe, entitled Children are not mad or bad, they are just scared .
She makes the point that scared children can easily be diagnosed as having mental illnesseses, because adults don’t see that the kids are just exhibiting fear.
ADHD is not a diagnosis most mature adults face. Children, on the other hand, are being diagnosed with it in their millions. In the US nearly 4 million people, mostly children and young adults, are being prescribed amphetaminelike drugs for ADHD (New Scientist, 1 April 2006, p 8). The number of children diagnosed with bipolar disorder has also risen astronomically, according to child psychiatrist Gabrielle Carlson and colleague Joseph Blader at Stony Brook University, New York. They say that while in 1996 just 13 out of every 100,000 children in the US were diagnosed with bipolar disorder, by 2004 the figure had leapt more than fivefold to 73 in 100,000. They also showed that of children diagnosed with a psychiatric condition in 1996, 1 in 10 were bipolar, compared with 4 out of 10 in 2004 (New Scientist, 19 May, p 6).
These are pretty monstrous figures. Children bi-polar, for Freya’s sake? Doesn’t that mean excited at times and miserable at times. As kids are?
I really like this article because the author actually has the face to say a truth that is becoming increasingly rare to hear.
In saying this I have broken a powerful rule: namely, that parents and those in loco parentis must not be criticised. If a child behaves badly, the child is at fault. If she or he can’t be regarded as naughty and be punished, she or he must be mad, and the madness treated with drugs, the effects of which on thedeveloping brain are still largely unknown. ….
Diagnosing children with ADHD or bipolar disorder requires collusion. Parents and doctors must agree the fault is in the child. So parents fail to mention their own economic, social or personal problems, or underplay them, while doctors don’t ask because they lack the skills and resources to help the parents. Thus parents can go on believing they are good parents faced with an inherently flawed child, and doctors that they are good doctors. The child continues to be afraid.
Parents are so scared of being seen as “bad parents” that they become incapable of admitting any failures at all. It takes courage to examine one’s own actions and identify where we might be making mistakes. It is much easier to assume the child is somehow “wrong”. And being “sick” seems so much more modern and tolerant than seeing an angry kid as intrinsically wicked (the Victorian view) – although it has the same effect of invalidating the kid’s experience.
In the mid-twentieth century, it became customary to blame parents for every psychological ill experieneced by their offspring. The (bi-polar style :-D) pendulum has now swung the other way and we seem intent, as a society, on denying all the needs of children and forcing them to fit uncomplaining into the adult-dominated world, as soon as they take their first breath.
It is good to hear someone actually saying that adults are indeed scary to kids. The adult world is scary. The way we ALL behave to our kids is going to frighten them sometimes.
However, some people are truly terrifying. If their kids are confused as a result of realising that, maybe we could start paying a bit of attention.
Thanks to Nullifidian’s tumblelog for this link. The Zeitgeist movie is a piece of video linking religious myths to their sources in astrology. It’s mostly brilliant and thought-provoking.
Also, by way of a comment on Nullifidian’s recent very well-observed post about the different US and UK dust jackets on the same atheist books (somehow, I can’t even find a commenting facility any more), there must also be some mileage in the choice of font/typeface – serif in the UK, non-serif in the US.
I could start rambling on about what this suggests the jacket designers are implying about the books’ content- measured and authoritative classical philosophy in the UK serif book jackets; punchy no-nonsense debunking in the US sans serif.
Instead, I will just take off my conceptual hat to someone who actually reads serious philosophical works on public transport (i.e. Nullifidian) rather than listening to the same worn-out mp3 playlist ad infinitum and reading the free bus paper or escapist sci-fi pulp (i.e. me).
[tags]astrology, book, nullifidian, rationalist, zeitgeist, philosophy, society, raves, God Delusion[/tags]
A good and very effectively scary Dr Who tonight.
This episode was a mixture of a traditional Victorian ghost story and the sort of sci-fi that’s about the nature of time rather than about space battles. It had frightening evil angel-statues. Well statues can be frightening.
The nature of time is quite frightening too. It was refreshing to see Dr Who actually doing the timelord thing. He’s supposed to be a Timelord, after all. It’s certainly about time (argh, sorry) he showed it.
Extra geek-pleasing points for the dvd-shop nerdishness. (Which referenced Clerks.) There was a nice bit where the non-love-interest dvd shop man was shouting at the TV screen, with words to the effect of “Just go to the police. Idiot! Why does no one ever go to the police?” We’ve all been there. OK, then, I have…
(And, satisfyingly in narrative terms, she actually did go to the police.)
Also good geek points for the Easter Egg bit – the Doctor’s message hidden as a secret DVD extra.
Minor geek points for there being Internet forums devoted to decoding the interview transcripts.
There are some comprehensive lists of Roman and Greek gods and goddesses in Gregory Flood’s Lists of Roman Godds and Goddesses.
These were people who didn’t mess about, if they found themselves without a handy god for any occasion. They just made one. There’s a god called Scabies, ffs. (of Itching, in case you wondered).
How did we get from the complex and changing pantheons of the Greeks and Romans and Vikings and Yoruba and Egyptians and indigenous Americans, etc, etc. to the dull God of Abraham? (That’s a rhetorical question.)
There’s an analogy between loss of diversity in species and loss of diversity in beliefs. As humans have shaped more and more of the environment, more unique and colourful species tend to give way under human pressure on their habitats. So, we see the lowest common denominator species prospering. The rat, the cockroach, the pigeon, the housefly all doing very well. (Basically all grey and able to live on s.ite.)
Pantheons reflect a human-centred worldview – a capacity to look for patterns in the universe and human society and to express our innate capacity for transcendence. The list of available gods can be revised in an ongoing basis to accommodate new ones when the old ones don’t work. Human rulers were happy to promote themselves to Godhood, whenever they felt the need.
This suggests that many people were aware that their religions were human constructs but could square this with the social and psychological benefits they got from their rituals. Compared to this, worship of one God seems willfully unsophisticated, and leads to inherent logical contradictions and a need to smite the ungodly.
The one God has expanded to take over the mental and social space we have for deities, dominating whole societies and lives. As far as I can see, this represents an flattening of mental diversity, as when one species – that can live well amongst humans whether we like it or not – replaces the variety that could co-exist in a more fertile environment.
Half of a Yellow Sun by Chimamanda Ngozi Adichie won the Orange prize last week.
This blog is usually at the back of the queue when it comes to reading admired modern novels. That’s why you won’t find much in the way of book reviews here. But, through a happy accident (someone lent it to me for a train journey), I read this about a month ago. And it is a really good book. There is an interview with the author in the Guardian today.
I thought the setting – the Biafran War -would be make it too depressing to read but it isn’t. The story is so well told and so engaging that, although the war is the central issue, the characters are what engage you. It is a very moving story, all the same. I would have to admit to being in tears when I read the final few pages on the return journey, but I laughed out loud a good few times before that.
A competition in the Metro – to rearrange the shapes in the LOndon Olympics logo produced this great image.
Normally, I find myself agreeing with Heather’s comments on Dr Who, however having been able to watch tonight’s episode on time (not as easy as you would think), this time I don’t. Well, I don’t fully agree…
Basically, I thought both episodes of this two parter were quite good. Dr Who has had a tendency to find it has good plot lines but the squash to make everything fit 40 mins really effects it. The breathing room these two episodes had showed in the plot development and subsequent deliverance. If the BBC had any sense (which, sadly, it doesn’t) then it would give Dr Who a longer run each year and allow every story to have at least two episodes. The pinnacle of Dr Who (Tom Baker, obviously) normally had around four episodes in which to deliver a story line. The difference is startling.
This is a short note to say I am back online now. Things are still a little hectic so “normal service” is not yet in place, however at least I can use things other than my phone to browse the web – it has shocked me how reliant “we” become on the internet for basic things.
Anyway, thanks to the miracle of Pipex, I have a working net connection (four days, only two of which were “working days,” after I ordered online) and things are certainly brighter now. Well Done Pipex.
Now I am “back” as it were, I will have a look at re-designing the site theme to try and improve on the issues it currently has and take on board the user comments you were kind enough to send. Thank you.
More soon.
Sorry. I wrote the Chuck Norris post without realising there was link to a really good rant on Nullifidian’s site.
This leads to the original article on the Institute for Humanist Studies It is really funny. And it has pictures that show the nature of the man better than any words could.
A job in any sci-fi movie or tv series is a job for life.
Actors get constantly recycled within the genre. Think of the self-effacing officer from the original Star Trek turning up as the sinister Bester in Babylon 5. Officer Sun and the captain from Starscape becoming SG1 crew members. Quark from Deep Space Nine in Buffy. The Doctor from Voyager in almost everything. Even the Quantum Leap man became the captain of Enterprise (did I mention it doesn’t have to be good sci-fi?) And so on.
The same applies to tv cop shows. (There is a certain amount of cop/sci-fi crossover but I guess that probably just constitutes an acting career rather than a pattern. E.g. The blonde woman out of last year’s series with the fishy aliens is in more cop & medical shows than she was in fish episodes.)
I am now going to make a mockery of my pure and true love of the Wire by sharing my personal TV trivia game.
(Don’t judge me too harshly, here. I’m just following HBO’s lead. They offer downloads of “Naimond’s” choice of classic hip-hop, or such.)
The original game consisted of trying to spot the entire cast of the Wire in old LawnOrder episodes. Anything from the LawnOrder stable counted (classic Law and Order, Special Victims or Criminal Intent. Or even the new spinoff, with lawyers, that’s set slightly outside the format, that I haven’t really got into. In fact even old episodes of Homicide might count, if I am feeling pushed for successes.
So far, I can only really claim Avon Barksdale, Omar and the female cop for definite, because I only recently realised the gameplay was up to a really extended scoring system. Bit I think I’ve seen Stringer Bell in one. And I’m sure I started squealing with joy because Marlow was spotted in an episode.
Then I thought, even with the most intense TV watching, it wouldn’t be possible to match the whole cast to Law and Order spinoffs or precursors.
So the new challenge is to match every speaking part actor in the Wire to EITHER a Law and Order character – 1 point each episode – OR the most comically different role in any visual medium – 5 points, but it’s got to be REALLY funny.
This lets me score points for McNulty in the 500 and Bodie in the Cosby Show. Omar scores 10 in anything, for being so extreme. Naimond’s mom would score 10 as well, but I’ve never seen her in anything else.
My ambition is to find the whole Barksdale crew. Contributions welcome. All the same, it only counts if I actually see it. Shortcuts like searching IMDB cost 10 conceptual penalty points for nerdiness above and beyond the call of duty.
My alternative ongoing games include:
This is further to the post about Dr Who’s references to other sci-fi and some very knowledgeable comments, one of which pointed out that sci-fi movies owe a fair bit to Dr Who.
Spotting the refences and cliches makes up a good part of the enjoyment of sci-fi. There’s an inclusive list on cthreepio among other sites. Here are a few of my own favourites:
All alien races speak English. This is very convenient, of course. (Although, unusually, Klingons do have their own language.)
The most advanced computer can be completely confused into breaking, by being asked to process a contradictory statement.
Any high spec computer will become sentient. And homicidal. It can then only be defeated by making use of the surprising design fault listed above.
Non-humans usually look exactly like humans or exactly like humans with insect heads or with some wierd ear, nose, eye or forehead attribute.
About 70% of all non-earth civilisations are identical to those of medieval Europe. A further 20% are basically the same as Ancient Egypt.
The crew of any spaceship will happily mate with non-humans but there is less than 1% chance of crew members of different earth “races” ever getting involved with each other. Which is odd, given that space travel is only achieved when the earth becomes one big happy international family.
The holodeck is always broken in such a way that game characters will come to life and threaten the life of the crew, while the crew will never be able to end the game. Nevertheless, the holosuite is never dismantled. The crew will still go blithely into it. They will always choose Nazi Germany or an interplanetary war or some other blatantly dangerous setting.
Any Stargate crew member that you’ve never seen before who speaks a few lines at the beginning of an episode is doomed to die in the next few minutes. Being assigned to SG6 is a death sentence
This is a short post to let people know that Admin and myself will be off line now for a couple of weeks. Hopefully it wont be long before a functioning ISP / Net connection is re-established (will it be Sky? Will it be Pipex? Who knows but it bloody wont be Virgin Media!).
In the interim Heather will try to keep ranting about idiocy, bad science, bad philosophy and the like.
Bye bye for now…
Another pretty good Dr Who episode tonight.
Visually, Dr Who is getting better and better. There was better rendering (a good space ship and a bubbling sun) and more interesting lighting (red and blue on the face close-ups) than we’d expect from normally cash-short British tv.
Altogether, it had the look and feel of “proper” sci-fi. Racing headlong into the sun is par for the course. (Solaris, and the film where Bruce Willis has to destroy an asteroid.) So is being trapped on a space ship with an unknown evil entity. (Alien, 2001.) As well as being stalked by a mechanical humanoid figure. (Predator, Terminator, Judge Dredd.) The computer female voice that keeps giving out unemotional messages of the pressure of time (can’t think of a reference sorry, but it seems standard…)
The main visual influence seemed to be the Alien movies (with a nod to Das Boot, but maybe that’s just me.) Both male and female technicians looked like the crew of Alien (vests, combat suits, artfully arranged sweat) . The ship also had the same sort of look and there was an intense claustrophobic feel to the plot, as well as to the sets.
This episode was called “42”, with a nod to Douglas Adams (the “answer to the universe”) and to “24” (the episode was supposed to be in real-time and there was a 42 minute timer countdown providing constant pressure).
So, a bit of an art-house-for-nerds episode. This series is shaping up to be the best one ever. Although this is from someone who loves sci-fi clich̩s. And who thinks that the very first Dr Who series Рwith that weird Quatermassy feel and the old man with long white hair Рand the mainly-played for laughs Tom Baker Dr Who were the only really good bits, out of what was often dire.
[tags]42, dr-who, episode, rave, sci-fi, sci-fi-cliches, television, tv, BBC, Douglas Adams[/tags]
This is arguing from an almost less than zero point in terms of knowledge of Turkish politics, but, on the face of it, thousands rallying against a perceived move away from secularism by their government has got to be a promising sign for those of us who worry about the spread of religious fanaticism of any flavour.
The ruling party’s candidate is Islamic in its basis. Their candidate for the presidency is apparently seen by many as not being committed enough to secularism, despite his claims to support it. For instance, it is believed that his wife would be the first president’s wife to wear a headscarf whch is a significant issue in a country where Attaturk’s early 20th centrury reforms are still seen by many as the crucial underpinnings of Turkey’s modern democracy.
The military has expressed concern over the choice and the opposition are to challenge the choice in the courts.