Tag Archives: acting

It’s all in the game

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A job in any sci-fi movie or tv series is a job for life.

Actors get constantly recycled within the genre. Think of the self-effacing officer from the original Star Trek turning up as the sinister Bester in Babylon 5. Officer Sun and the captain from Starscape becoming SG1 crew members. Quark from Deep Space Nine in Buffy. The Doctor from Voyager in almost everything. Even the Quantum Leap man became the captain of Enterprise (did I mention it doesn’t have to be good sci-fi?) And so on.

The same applies to tv cop shows. (There is a certain amount of cop/sci-fi crossover but I guess that probably just constitutes an acting career rather than a pattern. E.g. The blonde woman out of last year’s series with the fishy aliens is in more cop & medical shows than she was in fish episodes.)

I am now going to make a mockery of my pure and true love of the Wire by sharing my personal TV trivia game.

(Don’t judge me too harshly, here. I’m just following HBO’s lead. They offer downloads of “Naimond’s” choice of classic hip-hop, or such.)

The original game consisted of trying to spot the entire cast of the Wire in old LawnOrder episodes. Anything from the LawnOrder stable counted (classic Law and Order, Special Victims or Criminal Intent. Or even the new spinoff, with lawyers, that’s set slightly outside the format, that I haven’t really got into. In fact even old episodes of Homicide might count, if I am feeling pushed for successes.

So far, I can only really claim Avon Barksdale, Omar and the female cop for definite, because I only recently realised the gameplay was up to a really extended scoring system. Bit I think I’ve seen Stringer Bell in one. And I’m sure I started squealing with joy because Marlow was spotted in an episode.

Then I thought, even with the most intense TV watching, it wouldn’t be possible to match the whole cast to Law and Order spinoffs or precursors.

So the new challenge is to match every speaking part actor in the Wire to EITHER a Law and Order character – 1 point each episode – OR the most comically different role in any visual medium – 5 points, but it’s got to be REALLY funny.

This lets me score points for McNulty in the 500 and Bodie in the Cosby Show. Omar scores 10 in anything, for being so extreme. Naimond’s mom would score 10 as well, but I’ve never seen her in anything else.

My ambition is to find the whole Barksdale crew. Contributions welcome. All the same, it only counts if I actually see it. Shortcuts like searching IMDB cost 10 conceptual penalty points for nerdiness above and beyond the call of duty.

My alternative ongoing games include:

  • “spot the musicians turned actors” by music genre –
  • e.g. Method Man and IceT – LawnOrder and the Wire –
  • Spandau Ballet – now TV/movie villains in a crasser version of the “Ray Winstone loveable
    Cockney villian” archetypes
  • Phil Collins, ditto,
  • One of the bros out of Bros.. ditto..
  • I just refuse to count Will Smith and Kylie as I think they took the reverse direction. And in any case, people only count if they are either respected and/or unspeakably naff in either genre.

McNulty from the Wire confusingly in the 300

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The 300 is visually stunning and more than well worth watching.

I’ve got that out of the way. Now I’ll make a few random points, some of which conspired to distract me:

  • McNulty from the Wire is in it. I read in the Guardian on Saturday that he’s really English, otherwise this would have been even more of a shock.
    I’ve always thought he was the worst actor in the Wire. Now I can see he was labouring under the impediment of having to produce a Baltimore Irish accent, so I ve got more respect for his Wire performance. However, this doesn’t spill over to seeing him as a Spartan, so it’s hard not to keep expecting his chubbier well-dressed partner from Series one to pop up.
  • Similarly, the actor whose name I have no idea of but who so exemplifies the dorkish English lad in Mike Leigh movies that he’s in a good few is in there as well. Bringing to mind a few Mike Leigh movies.
  • The abs are uniformly amazing. OK, all the actors (male or female, leads or extras) are uniformly so perfectly muscled that I began to look for evidence of them wearing muscle suits. Then i realised that maybe they were digitally enhanced…. (well, d’uh)
    Cos I can’t conceive of any other form of enhancement that would achieve this level of perfection.
    I am pretty sure I saw McNulty with his shirt off in the Wire at some point and I don’t remember him having a chest that knocked your eyes out. (Human superficiality being so deep in me, I would probably have given more mental leeway to his acting shortcomings.) Has the new James Bond raised the bar so high? These people are physically utterly stunning.
  • I hope nobody does a Braveheart on this and takes it as a true version of history, despite it starting off as a comic.. The Spartans were bastards. Their whole society was so ultra-fascist that a fascist would have cavilled at it.
  • It’s filled with extreme comic-book violence, so stylised it looks pretty. The graphics are truly superb. The film uses the washed-out-with-one-dominant colour style – which is red in battles, unsurprisingly – pretty well throughout, I reallly like that. (If you are already bored with that style, then you may get rather annoyed. )
  • It has war elephants. They are great
  • It has mass battle scenes, mass court scenes, They are all great
    The music is great. – Think Black Hawk Down meets that bit in the Fifth Elemnent with the opera singer. Well, without the opera singing, then but you subliminally hear it. Bah, I guess that’s just me then
  • The characters are coompletely and utterly unengaging. These are comic book characters of course, so you can’t expect any different. I’m not saying it’s a fault, it isn’t. I’m just saying.
  • I couldn’t tell one superbly muscled actor from another – unless I recognised them from an old Mike Leigh film or the Wire – so I wasn’t always sure who was saying what to whom or why. Unfortuantely, I am very often incommoded in movie-watching by not being able to tell the actors apart, or follow the plots, so this is no insult to the movie either. Though, in theory knowing something of the tale, as most of us do, I should have made a better stab at understanding it
  • Obviously Film Studies 101 would suggest that Xerxes represents Bin Laden, and so on. (OK, he’s not Iranian, but the Persians in the movie aren’t very convincing Iranians. And how many people can tell the difference between Iran and any other middle-eastern country?) I suspect this is a spurious argument. I mean, what sane person would want to identify their country with Sparta?
  • Lastly, does there always have to be an evil woman to blame for everything? In Sparta, ffs? Sparta-wise, any woman would seem to have been really lucky to have avoided being left on the hillside to die for being a girl.

Oh blimey, these impressions are totally half-arsed.

Sorry, I’ve only watched it once and lost the thread a bit.

I’ll watch it again in a few days and you might get a coherent blog. (What are the odds of that, you say? Alright, slim.) It really is one of the most beautiful films I’ve seen.
Go to see it, if you can.