Tag Archives: tv

Dr Who – Alien meets 24

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Another pretty good Dr Who episode tonight.

Visually, Dr Who is getting better and better. There was better rendering (a good space ship and a bubbling sun) and more interesting lighting (red and blue on the face close-ups) than we’d expect from normally cash-short British tv.

Altogether, it had the look and feel of “proper” sci-fi. Racing headlong into the sun is par for the course. (Solaris, and the film where Bruce Willis has to destroy an asteroid.) So is being trapped on a space ship with an unknown evil entity. (Alien, 2001.) As well as being stalked by a mechanical humanoid figure. (Predator, Terminator, Judge Dredd.) The computer female voice that keeps giving out unemotional messages of the pressure of time (can’t think of a reference sorry, but it seems standard…)

The main visual influence seemed to be the Alien movies (with a nod to Das Boot, but maybe that’s just me.) Both male and female technicians looked like the crew of Alien (vests, combat suits, artfully arranged sweat) . The ship also had the same sort of look and there was an intense claustrophobic feel to the plot, as well as to the sets.

This episode was called “42”, with a nod to Douglas Adams (the “answer to the universe”) and to “24” (the episode was supposed to be in real-time and there was a 42 minute timer countdown providing constant pressure).

So, a bit of an art-house-for-nerds episode. This series is shaping up to be the best one ever. Although this is from someone who loves sci-fi clich̩s. And who thinks that the very first Dr Who series Рwith that weird Quatermassy feel and the old man with long white hair Рand the mainly-played for laughs Tom Baker Dr Who were the only really good bits, out of what was often dire.

[tags]42, dr-who, episode, rave, sci-fi, sci-fi-cliches, television, tv, BBC, Douglas Adams[/tags]

British sense of humour?

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Apparently, a subtle Iranian disorientation technique involved likening captured Brits to Mr Bean.

I can see how that would work. It would be hard to think of a more devastating putdown.

Mr Bean is beyond repellent. But he’s just an example of the criminally unfunny programmes that Britain makes as comedy and sells around the world. The Simpsons did a brilliant bit in one episode where they had the writer of Bridget Jones complaining that Americans don’t get our subtle irony. (Obviously taking the piss, this being the Simpsons, that always comes with a side order of extra irony.) (Continued after the fold)

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Great Dr Who & Shakespeare episode

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Granted it was still set in London, and granted the no-longer-new Dr Who still has an annoying face, this episode was a blinder.

THe plotline was a bit Shakespeare in love meets Charmed. There are witches, who turn out to be evil aliens, using their witch skills to turn the the Globe Theatre into a conduit for more evil aliens. To do this, they remote control Shakespeare (who falls for the Dr’s new assistant) and hypnotise him into inserting a spell with planetary co-ordinates into the end of his new play “Love’s labours won”.

It was obviously made with at least one eye on global sales. So it was streets ahead of most British tv in looks. Beautiful lighting, beautiful sets, more beautiful people than you would ever expect to see on home-grown British tv and some quite fearsomely effective – if simple -special effects. Shakspeare, the Globe, medieval London, Elizabeth I – you can hear the English Tourist Board’s tills ringing in joyful anticipation.

In case the adults got bored, it threw in lots of Shakespeare quotations. and in-jokes. All the obvious ones but still satisfyingly erudite for mass tv. (Maybe it will make some schoolkid get interested in Shakespeare, it’s always possible.)

It even tied together the flirtation between Shakespeare and the new Dr Who assistant at the end, with Shakespeare planning to write a sonnet to his Dark Lady.

Virgin really crying out to be sacrificed now

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Grrr. Virgin Cable TV:-

Sky One= no great loss.
FX = only channel you can legitimately watch the Wire on UK TV.

Happily rewatching series 4 tonight, ready to catch all the smart bits of dialogue that I didn’t quite get the first time or read the messages supposedly coded into Omar’s t-shirts by the costume designers that I wasn’t paying attention to. And so on.

Screen goes blank five minutes after the credits.

Ominous blue box comes up, holding the words that I’m not authorised to view this channel.

So it costs about £80 a month – for broadband, tv and a phone I make barely half a dozen local calls on – no matter what the ads say – and they can’t even pay out the Wire now?

Dr Who

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The new series of Dr Who started on BBC1 today and, while I was only half watching it, I must say that so far it is not as good as those that went before. I am not sure if it is a combination of dodgy scripting or atrocious supporting actors, but there is certainly room for improvement.

First off, sadly, David Tennant is a very, very good Doctor. Christopher Eccleston is a very good actor and really got the new series off to a good start after the problems which ended the series in the late 80’s. (Colin Baker and Sylverster McCoy truly have a place in the LinuxGod’s hell for their part) Despite this, Eccleston never really was “Doctor Who.” He was a touch too agressive and militaristic (maybe I just remember 28 Days Later too much).

Tennant is as close to the real Doctor (Tom Baker of course) as any one since has ever been. Shame everything about him screams that he should be terrible, he just isn’t.

Unfortunately he is pretty much on his own though. For some reason Dr Who’s scriptwriters – who include some of the most imaginative people in Britain – have a hard time putting together a decent plot. I suspect it is not all their fault, the constraints of the new format are against them.

Compared to the old series, the new ones are rushed. They try to introduce a setting, build tension, create a conflict, get the audience attached to the protagonists, get all dramatic and conclude in about 45 minutes. That is never going to be good. If you look at the Tom Baker years, each “episode” ran about 3 hours long and the extra breathing room certainly pays off. The plots are massively more engaging and you can actually get into the characters and their interactions. Are children really so short of attention span now? I doubt it myself.

The scriptwriters obviously collude with the set designers to make life easy. Oddly it goes horribly wrong. Unlike the first seven doctors, Doctors 9 and 10 never seem to leave Earth. It is rare for them to go anywhere other than London. Nearly every episode starts and ends “today” which seems to miss most of the point of it being Sci-Fi. None of this fighting Daleks on Skaro or the like, now the Doctor largely fights comedy monsters in London. Sometimes it is Victorian London, and I think a total of three episodes out of the last two seasons have been elsewhere. On the massively rare off chance any one involved reads this GET OFF EARTH! Go to colony ships in deep space, go to weird trading worlds, or planets which are stuck in a combination of the middle ages with lasers. Get SCIFI! Please! Don’t turn this into Hollyoaks with a sonic screwdriver.

Obviously the set designers like this because it should be easy to mock up sets that look like London. However, they still get things weirdly wrong. Tonight’s episode had a hospital moved to the moon, and every time they tried to show shots of people looking at the stars, or the ones back home looking at the hole you could see massive visual artefacts round the join points. I know it is not high budget, but this is 2007. Even the BBC can afford a decent Linux box with decent software… surely… ?

Add to all this the nonsensical “baddies” and it seems the BBC is trying to cut costs for what should be the flagship programme for 1900hrs on a Saturday. In the episode tonight, there were two sets of baddies, a blood sucker (who kills Dr Stoker – see, humour is not dead) in the form of a little old lady and some intergalactic police. When the police turn up, they are basically cybermen in black with bigger helmets. They walk the same, they form up the same and initially they act the same. It was almost painful. Please Dr Who scriptwriters. Use decent monsters. Stop going for people with funny masks on. Remember this is 2007. Check your calendar if you don’t believe me!

In a similar vein, despite Tennant’s excellent acting skill, the rest of the cast are painfully bad. I thought “Rose Tyler’s” family in the last season were poor but this new crop reach a new nadir of poor acting. The new sidekick/leading lady “Martha Jones” (Freema Agyeman) is a poor actor. She seems to be constantly giggling and gives the program the air of watching a secondary school play (High School for the Americans). Even at the most traumatic, shocking, surprising or scary moments, she appears to be fighting to suppress a grin. It is painful. I can only assume she will get better.

That said, she outclasses the rest of the supporting cast by an order of magnitude. Watching them pretend to scream, pretend to faint, argue or whatever is painful. I know this is “Kids TV” but if the support can’t act, write scripts that need less of them. Stop trying to recreate Ben Hur in a hospital.

I know this is a bit of a rant and there seems to be quite a few whines, but overall, I quite enjoyed the program. I am sure kids today will like it, but sadly they miss out on the real joys that Dr Who could provide. The lack of a cliff hanger is a shame and it seems to pander to limited attention spans rather than make people want to come back and watch more – this is odd, as each episode shows a taster for the next one…

Maybe someone, who knows someone, who knows someone who works on the team for this will read this blog and pass on some comments. If it changes for the better, brilliant and it could be a fantastic series. If it doesn’t, never mind. It will still be OK (if repetitive). At least the science is broadly sound 🙂

[tags]Dr Who, Doctor Who, BBC, Freema Agyeman, David Tennent, Tom Baker, Television, TV, Daleks, Sci-Fi, Science Fiction, Rants, Christopher Eccleston, Martha Jones, Cybermen, Rose Tyler, Society[/tags]

Virgin Disconnect

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It seems that no only have virgin media dropped Sky channels from their TV service but their broadband customers have had a major outage today (at least in the North West).

To put the icing on the cake, complaints this morning (around 1000hrs UK time), were given a “four hour” ticket which (ten hours later) is still unresolved with no feedback.

What a wonderful way to retain customers. I was looking at going for a cable package, mainly because people (generally) said good things about Telewest. It seems that since it became Virgin Media things have gone down hill in a massive way. (Seems to resemble the trains really… Look pretty, cost a fortune but just as crap as ever).

The off-switch is broken

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Sometimes you might be caught watching such rubbish on television that, to save face, you find yourself claiming that “the off-switch is broken.” The off-switch on my last tv did actually break (as a prelude to its turning into a psychedelic random colour diplay and dying altogether) but I would have to admit it was a good while before I noticed.

We’re often told we waste loads of the planet’s resources and contribute greatly to carbon emissions by not switching off our tvs and videos at night. Granted that figures for the actual sums wasted seem to be based on some back-of-an-envelope calculations with little relationship to reality (see an old Times article by Matthew Parrish), I still get a niggling sensation of irresponsibity if I leave red lights on the tv and its accompanying attendants. (I still do it though).

It would be pretty difficult not to leave the tv on, if you have one that doesn’t even have an off-switch. According to Guy Clapperton in today’s Guardian lots of new televisions have an off-switch located in an odd place or none at all. Toshiba doesn’t put an off switch on its plasmas, apparently so it can upgrade them overnight. LG has decided to reintroduce an off switch, under pressure from environmentally-concerned customers.

I”m as gullible as the next person when it comes to wanting the latest high-tech objects of desire – as long as the next person is only moderately enticed by spending money they don’t have – but I can think of two solutionsthat would cut energy use even more than buying a beautiful new tv with a low-power standby improvement.

One, better than buying new gadgets, why not keep using the old ones till they break?

Two (and I couldn’t resist this, so, apologies in advance to everyone with taste) I finally get to add the punchline to the blog name, based on the old kid’s programme..
Switch off the television and do something less boring instead…

Jade out-voted. Wahay.

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Hopefully, the last word on the Celebrity Big Brother garbage. I see from the BBC site that the unpleasant Jade Goody has been voted off. Well that’s one good thing. (I had imagined hordes of racist morons voting for her.)

Is it too late to say that scapegoating someone like her doesn’t actually address the fact of endemic racism?

Casual racism exposed

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The uproar over Celebrity Brother is fascinating in itself. It’s obviously succeeded in dragging back attention to a tv show that can yield several degress of watchability to the test card.

THere was a great blog from TW here about the Big Brother fiasco.  (http://www.whydontyou.org.uk/blog/2007/01/17/racism-on-big-brother/) It says it all but I still feel like adding my proverbial tuppenorth.

I have actually watched one of these programmes. It does indeed reek of casual mindless racism. I  also watched a very old Celebrity Big Brother series (both in someone else’s house, I insist on adding, for the salke of my self-respect) in which  Chris Eubank, a black boxer,  was subjected to the same sort of behaviour, from people who were at least less blatantly moronic as these appalling women, no apparent outcry. Chris eubank was the first person ever to  to be evicted from CBB.

Ironically, in both cases the contestants who were subjected to this racially based exclusion behaved with an almost incredible degree of  forbearance. Chris Eubank seemed the only person in his house with any idea of a separation between a stage persona and a therapy session. He was calm and witty at all times. He wore silly outfits as a public-pleasing act. It didn’t work. He was obviously too sane for the house and must have struck a nerve with the largely moronic sector of the public who actually spend money on voting for these things.

These bitchy “celeb” women are not just morons. They were clearly threatened by a woman who is naturally beautiful,  seems normally intelligent. and appears to have done something (acting) to become a “celeb.”  The attackers have no claim on being known other than to have  copped off with a footballer to win a beauty contest or to have exhibit ed their awe-inspiring stupidity on national television.

However, their attitudes are not unique. Jade Goody’s boyfriend was  casually racist enough for a dozen wags in the bit that i had the misfortune to watch.  He didn’t even have the excuse of being a comically outclassed female.

I take issue with any approach that involves pretending that this casual racism is unique to these people and that hiding it will make it go away. If anything, this trash tv has done a service by showing the truly repulsive inature of British racism, which is unfortunately not confined to the people at the back of the queue when the mental and spititual gifts were being given out.

The very media that are now pillorying  a few backward  girls for giving the game away are the ones that are creating a climate of division. A trawl through the BBC’s own blog site about a woman wearing a burkha left me stunned with shock at the casually racist content of almost all the posts. 

Clearly our anti-racism strategies aren’t working. With apologies for pontificating, I’ll take this up in the next blog.