The Wire series 4 will be shown on British TV from Tuesday. (On Sky FX, which you should also have if you get cable.) There is almost no way to express how good it is, if you haven’t seen it. In which case, get the DVDs or something and watch the previous 3 series first or you’ve already missed 36 hours of tv genius and you won’t understand the back-stories. You should still enjoy it though. Series 4 is the one with the kids.
The Guardian’s TV Guide introduces the new series with a few pages of the obligatory paeans of praise and with pictures of some of the characters from series 1 to 3. I can’t help feeling the writer has missed the point a bit but that’s all part of the Wire’s magic – you’re alwys going to miss whole levels of meaning because it’s so multi-layered. In fact the TV Guide brought home a huge point that I had missed – Series 3 opens with the blowing up of two towers that is followed by “a dumb and protracted war” (quoting David Simon.) “..Is there a metaphor there? Well what the fuck do you think?…American power and American weakness is the subject. Well one of the subjects.”
The review says that the Wire is “so rich in character and nuance, and so powerful in its anger and painful with its humour that is has been compared to the darkest classics of literature.” The Guardian writer quotes from the New York Times “If Charles Dickens was alive today, he would watch the Wire, unless that is, he was already writing for it.”
He says that the difference between the Wire and Dickens is the absence of a kindly old gentleman to set things right. There is indeed a kindly old gentleman, Bunny, the retired police chief, who has never put a foot wrong and becomes even more virtuous throughout series 4. I am unsure whether this is a weakness – having a truly good man in a world of infinite moral complexity. At first, I was a bit irritated that there was a character who was a genuine hero, in a series in which there is no clear right and wrong. In fact series 4 is much better at engaging one’s sympathies for the innocents – firstly by focusing on the kids, you come to feel more empathy with the adults. Bubs, Prez, Bunk, the boxer and Bodie are all playng “nice guy” roles, as well, all doing their best to follow some codes of decency. (And what about di Angelo in the first series?)
In the end, I feel that having “good” people isn’t a weakness but a narrative imperative – Bunny consistently shows how a single person of character can bring about small positive changes. He stops the Wire from being infernally pessimistic and shows how rationality and goodwill can be maintained in a sea of crap. That is, despite its darkness, the Wire always holds out the possibility that things could change. If it didn’t do this, it would lose a lot of its brilliantly expressed anger at the way things are now.