The good (in an odd way) funny Korean monster movie, “The Host,” sparked this post. The villains in this movie are all Americans. (I did say it was Korean, didn’t I?)
It’s certainly not a political movie, but it has an occasional wry political subtext. Part of which is that the villains – the pathologist who dumps the chemicals that create the monster; the doctor who lobotomises the ineffectual and narcoleptic hero Gang-du; and the military team who dump “Agent Yellow” on the monster and on the demonstrating students – are all Americans.
You don’t need a degree in Media Studies to work out that there’s something being communicated here.
Obviously, the Koreans have a long history of US involvement that’s left at best some ambivalence. You might expect them to cast American actors as villains. But it got me wondering why the villains in US TV and movies are always English men. It may be that the US public expects the Queen’s redcoats to turn up at any moment and demand all that unpaid tea tax plus interest. (After all, they have laws allowing each citizen the right to bear arms, on the off-chance that the UK will suddenly remember it used to be our most lucrative colony.)
Far from posing a threat, England has been uniquely co-operative – some would say slavish at points – to the US for well over 200 years. So why do they hate us so much that any male actor with an RSC-style delivery will never be out of work if he moves across the Atlantic? There is such a thing as bearing a grudge too long, surely.
Ah ha! They don’t hate us. They hate Europe. And we’re the only Europeans who speak a language they can understand.
Europe is big. It’s rich. If it stopped its internal squabbling long enough to look out for its continental interests, it would be the global superpower. Obviously, the European continent is, and has always been, a squabbling mass of tribes. We hate each other much more than the Americans hate us and we’ve had LOADS of practice.
Europe doesn’t act as a global ruler, so other countries don’t hate us much any more. In fact, we can project a sort of cuddly moral high ground image as the continent that has the Geneva Convention, the Red Cross and the International war crimes courts.
Other continents usually don’t speak English and would provide villains that might really feed on the anger of Americans. If every villain were Chinese or African or South American or Indian, there would be some reasonable questions raised about stirring up a nationalist frenzy. Europeans are OK because they aren’t going to war with us any time in the foreseeable future. That was “with” as in “against,” of course.
Aside: Why use British actors, at all? We all know that the average American 10- year-old can out act almost any British Shakespearean actor. In fact, our current TV and movie productions are generally so teeth-grindingly poor that we couldn’t compete against an evening’s HBO schedule with the best from a year’s worth of UK output. (You may be arguing “What about Mike Leigh or Ken Loach or the Office or whoever?” I said “generally.” ) Our films are so bad that we even infected Samuel L Jackson. He usually has the capacity to make even movie excreta watchable (e.g The Man) Put him and Robbie Carlyle (also a pretty good actor) together in a British movie and you have The 51st State. Need I say more? (OK, if I must then, Brad Pitt in some execrable London gangster movie where he was a gypsy bare-knuckle fighter) Point taken, I think.
Why do they hate us and yet let us humiliate their best actors? That will have to be another blog.