Except for a few professional women, (police, DA, nurse, teacher) \u00c2\u00a0the women in The Wire<\/strong> and The Corner<\/strong> are almost all basically evil – malignly manipulative\u00c2\u00a0– like the mothers of Di Angelo’s \u00c2\u00a0baby and the kid who gets adopted by the saintly Bunny – or psychopathically murderous for fun – \u00c2\u00a0Snoop<\/p>\n

I should take some exception to this. It is\u00c2\u00a0certainly an\u00c2\u00a0example of the stereotyping of women as exemplifying pure good – nurturing – \u00c2\u00a0or (im)pure viciousness – destroying or providing seriously bad nurturing. I also take exception to the fact that the Wire’s central female police officer is gay and acting as a male in relation to her “child” . Yes,\u00c2\u00a0it’s good to have positive gay characters.\u00c2\u00a0But couldn’t there have been an equally brave and intelligent \u00c2\u00a0female police officer who was straight? Do all the “good” women have to be involved in caring? (Bloody hell, Cagney and Lacey were ahead on this one – thirty years ago.)<\/p>\n

I’ll not press this point too far though. Because:<\/p>\n

\n
• Most of the\u00c2\u00a0evil females are fantastically evil – Lady-Macbeth style evil.<\/li>\n
• They are truly manipulative and really forceful at using social expectations to get their own way, twisting “family values” to their own ends, using women’s people skills – promises, threats, violence,\u00c2\u00a0emotional blackmail and whatever it takes. \u00c2\u00a0We all know people like that, which is a bit scary.<\/li>\n
• They have some great lines.<\/li>\n
• They are really funny.<\/li>\n
• Thay are much watchable than the relatively pallid good characters.<\/li>\n
• Snoop is in a class of her own, completely without any motivation except the pleasure of the killl and she seems only moderately uninterested in that. The banter between her and Method Man’s character is like a more true-to life version of the conversations of Samuel L Jackson and John Travolta,\u00c2\u00a0in Pulp Fiction\u00c2\u00a0. She has a magnificent but totally chilling contempt for human life – \u00c2\u00a0shown best when she shoots someone more or less at random in an unfounded belief he is from New York. (Someone claims in a \u00c2\u00a0Youtube\u00c2\u00a0 comment to know the real one. Argh)<\/li>\n<\/ul>\n

  Fran in The Corner has her own episode. It is her fault her husband has fallen from success (a good job, a house, a family) to the\u00c2\u00a0corners, according to her son. She is doing her best to send him down the same path, despite also\u00c2\u00a0wanting him to do better. She steals from everyone, including her son, then subtly tries to drop him in it when he brings the\u00c2\u00a0 owner of the monety to her – criticising him for saying it was her. The problem with this character is that the writesr have tried to give her some complexity – she\u00c2\u00a0wants to\u00c2\u00a0 better herself and tries to get into rehab – but there\u00c2\u00a0 is no character development. She swings from one approach to the other. You can’t care about her whether she is\u00c2\u00a0being\u00c2\u00a0\u00c2\u00a0unscrupulous or seeking to improve. Which is a pity beacuse the actress is good and\u00c2\u00a0some of the things she does and says are very\u00c2\u00a0funny.<\/p>\n

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      Except for a few professional women, (police, DA, nurse, teacher) \u00c2\u00a0the women in The Wire and The Corner are almost all basically evil – malignly manipulative\u00c2\u00a0– like the mothers of Di Angelo’s \u00c2\u00a0baby and the kid who gets adopted by … Continue reading →<\/span><\/a><\/p>\n

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